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Client: Samsung Hypercube/Frank Carter & The Rattlesnakes Director: Ross Cairns DOP: Marcus Domleo A truly groundbreaking project to be involved with and without a doubt one of the most technically challenging shoots Motion24 have been involved in to date. It was a tall order but between the Motion24 Operator/Technician team in conjunction with an experienced rigging grip, we were able to offer our client a solution with full remote control column (delivering a 7ft boom range), zoom, focus, pan/tilt, Movi tuning and of course camera run stop. Creatively speaking this gave us the ability to move the camera vertically from the floor to above head height of the artist, modify the stabilisation of the Movi to deliver movement from it's smoothest to it's roughest and anywhere in between, in addition to combining our large range of camera movement with zoom moves to really expand to a wide range of shot options...the results of which you can see above.

Client: Mindseye Director: Jono Hunter DOP: Marcus Domleo Motion24 provided a bespoke Movi Pro Package along with remote operator for this fun comedy piece. Making the most of the Movi Pro's uniquely small profile as a stabilized head, it was combined with a large crane to offer freedom of movement in a small set environment and achieve a surprising amount of these shots entirely in camera.

Client: The Graft Directors: Joseph Khan DOP: Matt Wise Motion24 were privileged to be the only port of call when it came to providing an Operator/Technician team in conjunction with one of our bespoke Movi packages for Taylor Swifts new single End Game. Working on the London unit our team were on call to provide smooth tracking shots across Millennium bridge, eye level shots with Taylor as she danced on the top deck of a double decker bus driving through central London and of course fulfill general B-camera duties both on & off the MOVI to ensure the Director & DOP got the coverage required. Motion24 provided our Movi Pro package, black arm/tranquilizer system and the Operator Technician team to manage both tracking vehicles and ground based stabilized shots for this project.