Another action packed fun filled project from Colin Furze, Motion24 were there to capture the action Providing an Operator & Technician team to look after the 2 tracking vehicle set-ups which were in use on the shoot day.
Client: Mindseye Director: Jono Hunter DOP: Marcus Domleo Motion24 provided a bespoke Movi Pro Package along with remote operator for this fun comedy piece. Making the most of the Movi Pro's uniquely small profile as a stabilized head, it was combined with a large crane to offer freedom of movement in a small set environment and achieve a surprising amount of these shots entirely in camera.
Client: The Graft Directors: Joseph Khan DOP: Matt Wise Motion24 were privileged to be the only port of call when it came to providing an Operator/Technician team in conjunction with one of our bespoke Movi packages for Taylor Swifts new single End Game. Working on the London unit our team were on call to provide smooth tracking shots across Millennium bridge, eye level shots with Taylor as she danced on the top deck of a double decker bus driving through central London and of course fulfill general B-camera duties both on & off the MOVI to ensure the Director & DOP got the coverage required. Motion24 provided our Movi Pro package, black arm/tranquilizer system and the Operator Technician team to manage both tracking vehicles and ground based stabilized shots for this project.
Client: The Sunday Times/The Bare Film Company Director: Chris Goulder D.O.P. Chris Clarke More unique camera movement in this intriguing project for the Sunday Times. Motion24 were brought in to collaborate with DOP Chris Clarke for the opening shot in this commercial, providing one of our Movi Technicians and our complete bespoke Movi Pro package for this shoot allowed us to work with Chris operating on the wheels whilst our technician flew the rig through a tight space to finish with the camera floating straight through a serving window in the wall.
At Motion24 we love unique challenges, especially when they turn into spectacular ideas for great shots. So here it is, neither Rain, 30mph head winds or a complete lack of phone signal could stop us on this one, filmed at 40mph as one complete unbroken take, utilising a Movi, rigged to a crane, on a tracking vehicle....enjoy. Bespoke Movi Package and Movi Operator provided by Motion24, shot entirely in dual operator/remote mode.
Client: Dark Energy Films/News International Director: Ben Jones D.O.P. Marcus Domleo Motion24 are very proud to have provided the operator for this ambitious "almost one-take" promotional film shot exclusively on the Movi. Shot exclusively on Movi as a single take on the day, a jump cut was added creatively in post to cut the run time down slightly, this project remains however as a solid demonstration cementing the Movi as a capable accurate operating tool for long precise takes.
We were tasked with providing a bespoke Movi package & Operator along with unique rigging solutions for a variety of fast paced sports action shots. All Movi shots for this project were filmed exclusively in dual operator mode.